At a time when street protests were all the rage in Europe, and British society was going through a period of great change, this unusual film was released in cinemas here. Directed by Lindsay Anderson, a one-time darling of the British New Wave Cinema, and starring many stalwart character actors, alongside some exciting new young discoveries, including Malcolm McDowell, in his first screen role. It lampooned the old Public School (read expensive private school) system in the UK, and injected the revolutionary spirit of the time too.
Set in a fictional boarding school, we follow the antics of a disillusioned trio of older boys who are all more than ready to rebel against the privileged system that they are a part of. The familiar hangovers of Victorian schooling are still there. Younger boys used as servants for the Prefects, and harsh corporal punishment dealt out too. Homosexuality is rife, and frustrated female staff feature, with one wandering naked around the school, when the boys are out.
Travis, Wallace, and Johnny are the truculent trio, opposing authority at every opportunity. They drink, they smoke, and even steal a motorcycle. On one of the jaunts, they meet a young girl working in a cafe. She joins their group, and it soon becomes apparent that there will be a clash between the stuffy staff with their allied compliant pupils, and the defiant group that refuses to conform. The catalyst for this is a brutal episode where the Prefects cane all three of the boys in the gymnasium. Following that incident, the girl arrives to help, and they find a store of military weapons, used by the school’s Officer Training Corps.
In the climactic finale, a gun battle ensues, with the rebellious group firing on the staff and pupils as they assemble for the annual Founders Day parade.
This film is deliberately surreal at times. Switching from colour to black and white for some sequences, and not shying away from sex and nudity either. (Which gained it an ‘X’ certificate) The soundtrack is superb too. I was 16 when I saw it at the cinema, and thought it was simply marvellous. It poked fun at everything I detested, and had a fantasy plot that I was attracted to, in every way. The supporting cast is top-notch, including such familiar British faces as Peter Jeffrey, Arthur Lowe, Graham Crowden, and Mona Washbourne. It won the Palme D’Or at Cannes in 1969, and has been hailed by the British Film Institute as one of the greatest British films of all time.
But I have to say that the last time I watched it on TV, around ten years ago, I wondered if it wasn’t past its prime…Here’s a trailer.
I watched the trailer thinking it felt very clockwork orange and then once he spoke I realised it was Malcolm McDowell.
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It was very much a ‘one-off’, Jimmy. Something of a British Classic mate.
Cheers, Pete.
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I was too young to see it but remember it being talked about. It certainly looks weird.
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It is mostly like a ‘normal’ Public School film. With weird bits! 🙂
Still worth watching if you get the chance, Gilly.
Best wishes, Pete.
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Fantastic Review as always, Pete! I love some retro so I am all about this!
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You’re a real ‘retro-chick’, Dani, even with your pin-up girls! 🙂 x
Best wishes, Pete. x
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I love pinup girls and yay im retro! I dress in the rockabilly pinup style! I love so many things retro!
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I’m not so sure a gun battle at school, even with humor, would be something to watch these days. The movie sounds terrific, though. 1968 was a year to feel like a rebel.
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This is most unlike the mass school shootings in America, Jennie. But given recent events, I can understand why it might seem insensitive.
I felt suitably rebellious in 1968. If fact, I remained rebellious, well into my fifties. 🙂
Best wishes, Pete.
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Oh, I completely understand the context of the movie. Back then, really funny. I would have laughed my head off. Today it could be just as funny, had it not been for the shooters. 1968 was a great year, the first I felt somewhat rebellious. Those years gave me courage. Best to you, Pete.
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I think that’s a nice way of describing the feel of those times, Jennie. ‘Giving you courage’.
Best wishes, Pete.
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Thanks, Pete. Best to you.
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After your review i think i have to watch this peace of british film history. Thank you for another wonderful review. Michael
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I hope you enjoy it, Michael. And thanks very much for reblogging.
Best wishes, Pete.
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Thank you, Pete! Your advices are always famous. Michael 😉
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Reblogged this on Die Erste Eslarner Zeitung – Aus und über Eslarn, sowie die bayerisch-tschechische Region!.
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Hmm. You peaked my interest Pete and I do love Malcolm McDowell, but after watching the trailer I think I’ll pass. I know you said it’s not in the same vein as school shootings, but for me right now it’s a little too close.
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The idea in this film is that the people being shot deserve their fate. But I know what you’re saying, Kim.
Best wishes, Pete.
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Some films and books are destined for the here and now and never to be watched again…A great film of the times and can be a great talking point 🙂
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Thanks, Carol. I always reflect on how little has changed since 1968.
We still have lots of rich kids in expensive schools here, going on to lead privileged lifestyles, and get better opportunities.
Best wishes, Pete.
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Probably more now and sometimes I think the rich/poor divide has widened in recent years
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Such movies depicting violence. 1968? How retro could it get. And today in some countries you still see a more grievous thing than the plot of this movie.
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1968 was a violent year, Arlene. The film was probably reflecting the times.
It’s true that today is almost certainly even more violent.
Best wishes, Pete.
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Reblogged this on KCJones.
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Thanks, Penny!
Best wishes, Pete.
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Malcolm McDowell is so recognisable even I know who he is! I think it will be a challenge to find this one, but then I’m sure its on YouTube somewhere.
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It was his first film, Eddy. You might appreciate the ‘Public School’ scenes!
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I worked as a caretaker at Giggleswick School (not much change from £12k a year to go there) a long time ago and before they let girls in. They even had there own cadet force! The trailer took me back to my days with a mop and broom! 🙂
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Check out the comments. Someone has found a You Tube link. 🙂
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I can’t find the whole film on You Tube here, but it is on TV now and then.
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It was on Youtube last year, I managed to catch it. But Youtube takes them down as fast as they go up. Usually something interesting to see there on most days though.
If… I’ve seen it a few times. The shoot out looks like they either lost the plot or were lost for an ending. Up to that point it’s a good film.
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I know what you mean, BF. The ending was the least enjoyable part of the film.
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I soon realised I had seen it in the past, but let it runs its course as the one thing I didn’t remember was the ending which, as BF said, I think they were lost for an ending.
I had a bit of s giggle though as it also brought back the Monty Python sketch from The Meaning of life (I think).
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Thanks for viewing, Eddy. As I said, I think the ending let it down.
Best wishes, Pete.
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It’s back on Youtube https://youtu.be/e80Uhbd4K84
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Thanks for that, BF. I will let Eddy know.
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Cool, thank you, watching it now 🙂
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It might have been brave for its time, but with this generation, I wouldn’t give them any further ideas.
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It wasn’t in that ‘mood’, to be fair, GP. More about protesting against the establishment. A big thing, back in 1968.
Best wishes, Pete.
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I remember it well.
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In this era of school shootings… But it looks like an interesting film. And I’m a fan of Malcolm McDowell (“A Clockwork Orange” / “Caligula” / “Time After Time” / “Cat People” / “Star Trek Generations”).
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If you have never seen it, David, then it is certainly an interesting ‘oddity’.
Not in the ‘school shootings’ genre, fortunately.
Best wishes, Pete.
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Even though I may have enjoyed the movie in 1968, it would definitely not be my cup of tea today. As you said, age may be a factor, Pete.
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Indeed, Peter. Both our own age, and the age of the film. 🙂
Best wishes, Pete.
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Well it looks fun, but really those 4 on the roof should have cleared that field quite easily, they seemed to be making a meal of it. 😉
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It was certainly different, FR. Feeling its age now though, I suspect. (Like me)
Best wishes, Pete.
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I agree with you Fraggle! It dies look fun!
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Pete, to me “…if” is still powerful – it captures a specific moment in time in our society – a time when the boundaries were being broken in terms of subject matter in film…and of course, Director Anderson and Malcolm McDowell followed this with another great great film with an amazing soundtrack – “O Lucky Man”! Here is something I posted on it:
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Thanks, John. The character name of Mick Travis continued through that loose ‘trilogy’ of course.
Many thanks for the link to your post too.
Best wishes, Pete.
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Pete, the last of the trilogy is a bit less successful, but they tried something unique and bravo for that…and “if” is prescient in many ways today
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